Palace play explores disappearance and death of area student Joe Grozelle
A London theater production will retrace many stages of a police investigation and coroner’s inquest aimed at shedding light on the 2003 death of a local student.
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A London theater production will retrace many steps from police and coroner’s inquests to shine the spotlight on the 2003 death of a local student.
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The Palace Theater will stage Veritas, a play about the death of Joe Grozelle, from the Chatham-Kent community of Ridgetown whose body was found in the Cataraqui River near the Royal Military College in Kingston, where he was a cadet.
For Grozelle’s family, questions persist about her death and the play, which opens on Friday, is a chance to help with the healing process, said Nikki Grozelle, Joe’s sister.
âIt’s surreal. My dad and I were at rehearsals this week and the cast captured our personalities, our way of speaking, the family dynamic, âGrozelle said.
“It helps. It triggers validation, knowing that people still care. We are not on a crusade, but there are valid questions “about death.
“It’s hard. It’s personal.”
The play, written by Londoner Lynda Martens and directed by Dale Hirlehey, will run through February 9 at 710 Dundas St. Theater in London’s Old East Village.
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Joe disappeared from RMC in November 2003 and his body was removed from the river three weeks later. An autopsy was performed, but about two weeks later the body was exhumed for a second autopsy.
A coroner’s inquest was held in October 2006, but was closed due to “procedural fairness” concerns. A second inquiry, held in 2007, found the cause of death to be “undetermined” and “undetermined”.
An Ontario Provincial Police investigation ruled out a criminal act.
In 2018, the Chief Coroner and the Ontario Forensic Pathology Service launched an internal process, called a âCovered Homicide Reviewâ, to cover missed homicide cases dating back to 1990. The Grozelles contacted the Coroner, asking that Joe’s case be part of that review and be seen as a cold case rather than a closed one, Nikki Grozelle said.
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“Our goal is to move the file forward,” she added. âIt never stopped for us. We experience this every day.
Martens said it took about five years to develop the script, including three years reading transcripts, talking to Grozelles and officials, and traveling to Kingston.

âIt was completely different from any other script I’ve written, because it was all real,â she said.
âThere are a few scenes that I have created that are fictional, but most of them are from transcripts and interviews, visits with family and trips to Kingston. It was a wonderful experience and the family were very helpful. â
Martens said the facts of the story, which she heard after meeting Nikki Grozelle at a private party, caught her attention.
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âMy writing always affects me emotionally,â Martens said. “I only write stories that touch me and the more I heard about it the more I thought it would be a really cool play.”
Director Hirlehey said he was drawn to the play by the âtheatrical purityâ of Marten’s writing.
âHis screenplay allows actors to be actors and storytellers in a very creative way,â Hirlehey said.
âVeritas combines a very compelling personal story with a multimedia component drawn from news media as well as clips and photographs of the Grozelle family themselves. This case is still not resolved. “
IF YOU ARE GOING TO
What: Veritas
Or: Palace Theater, 710 Dundas St.
When: January 30 to February 9.
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