USU Department of Theater Arts announces 2021-22 season – Cache Valley Daily

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LOGAN – After a year of dark stages and virtual presentations due to the coronavirus, the Department of Theater Arts at Utah State University has announced a full show schedule for its 2021-2022 season.

The first big stage production of the season will be Julius Caesar by William Shakespeare in mid-October, following an unprecedented digital showcase produced by the lighting design and projection students of the department.

“Julius Caesar will involve each of our student actors, ”according to Richie Call, associate professor of theater. “So we decided not to put on a show in September that would compete for the casting.

“Instead, (Professor) Bruce Duerden is using this production niche as a way for his lighting and design students to essentially put on a cool light show. The idea is to show the things they’ve learned over the past year that don’t always show up in the shows we produce.

This technical program, entitled Introspection, will use a poem written by one of its designers as the source material. It will premiere at 7:30 p.m. on October 1 and 2 at the Caine Lyric Theater in downtown Logan.

The next USU performance will be the bard’s 1599 dramatization of Julius Caesar’s assassination and its aftermath from October 19-23 at the Morgan Theater on the university campus.

Julius Caesar is one of Shakespeare’s best-known works and is loved by directors for its flexibility in terms of schedule and costumes. This versatility was perhaps best demonstrated by a 1937 theatrical production directed by Orson Welles which drew parallels with the growing threat of European fascism at the time.

Julius Caesar will be chaired by USU professor Michael Shipley.

Next on the USU calendar will be Miss Bennet: Christmas in Pemberley, a 2016 feminist drama written by Lauren Gunderson and Margot Melcon.

The play is a sequel to Jane Austin’s novel “Pride and Prejudice” which focuses on the efforts of Mary, middle sister Bennet, to define herself in a male-dominated society.

Miss Bennet: Christmas in Pemberley will be directed by Tarah Flanagan and staged December 2-8 at the Morgan Theater.

At the start of the spring semester, Moors will be chaired by Paul Mitri, the chair of the USU Theater Arts Department.

Written by Jen Silverman, Moors is a dark comedy that parodies the blurry line between eccentricity and madness when a pair of isolated sisters have too much time and imagination on their hands.

The play will be presented February 11-18 at the Caine Lyric Theater.

In early March, Professor Matt Omasta will lead Get closer to baby by Y. York.

Based on the award-winning novel for young adults by Audrey Couloumbis, Get closer to baby is a drama about two sisters who come to terms with the death of a brother.

Get closer to baby will take place March 2-4 at the Morgan Theater.

USU theatrical season to finally end with production of the musical Dolly Parton 9 to 5.

This show is based on the familiar 1980 film of the same name, with additional music and lyrics by Parton and a screenplay by Patricia Resnick.

9 to 5 will be directed by Valarie Rochelle and will take place April 15-23 at the Morgan Theater.

USU’s Department of Theater Arts will also be hosting three events in its series of play readings during the 2021-2022 academic year.

The first of these events will be a reading of Women by Chiara Atik, a comedy that puts a contemporary twist on the March sisters of Little woman.

This reading is scheduled for the Black Box Theater on the USU campus on October 29-30.

The subject of the other two coin reading events will be announced at a later date.






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Stetson University Theater Arts presents new plays from local playwrights

PHOTO BY KEN MCCOY PREPARING TO PRESENT NEW PIECES – Stetson Theater Arts stage manager Shay Figueroa participates in a staged reading of “Let’s Hear It!” : A Reader’s Theater Staging of New Plays. “

The production includes staged readings performed by student-actors

BY SANDRA CARR AND REED BARKOWITZ

SPECIAL FOR THE BEACON

Stetson University Theater Arts begins its 116th season with “Let’s Hear It! : A staging of new plays by a reader ”, realized by Ken mccoy, Ph.D., professor of theatrical arts at Stetson. Staged readings take place Thursday through Sunday, September 23-26, at Stetson’s Second Stage Theater at the Museum of Art – DeLand, 600 N. Woodland Blvd.

“Staged readings are a wonderful way for Stetson University Theater Arts to present new plays by local playwrights to the community,” said McCoy. “It’s also a great performance opportunity for the students at Stetson and gives them a chance to bring a new production to life in its early stages.”

Here are the offers:

Become Cherokee by McCoy is at 8 p.m. on Thursday, September 23. The play features two brothers in California who inherit an area in Oklahoma from an unknown relative. They are soon confronted with previously unknown Cherokee relatives who are the stewards of the land. The brothers are faced with the decision to keep the land and embrace their own Cherokee heritage and ancestry, or sell it for cash to boost their professional careers on the West Coast.

Across the Atlantic through Gretchen Suárez-Peña will be played at 8 p.m. on Friday, September 24. This story is based on a real woman who is mentioned in the Spanish newspapers of the conquest of the Americas. Madalena is a native Tocobaga woman from Florida. She was taken captive and enslaved by the Spanish Empire to then become an intermediary and translator for the Spanish crown.

Lost in history, except for its mention in a brother’s diary, Madalena’s story travels from Florida across the Caribbean, across the Atlantic and back again. A story of mystery, faith, life and death renders an erased account of the colonial history of the Americas.

Imperial tide through Lori Snook, Ph.D., associate professor of English at Stetson, takes the stage at 8 p.m. on Saturday, September 25. The one-act play is about the two characters, Carter and Tyson, heading to the beach to celebrate their birthdays. . When the tide starts to rise, they gaze out at the ocean and spend an evening together. Yet the tide continues to rise and fall.

Smoke-Cross’d Lovers – A comic tragedy in two acts by a former student of Stetson Mark Aloysius Kenneally and his wife, Nicole kenneally, will be presented after Imperial tide on Saturday September 25.

In this story, an emphatic respiratory therapist and non-smoker crosses paths with a carefree chain smoker with a cough-dying mentality, and sparks immediately begin to fly. Can their opposing views ever fade away enough to allow them to somehow meet in the middle? And if so, will they ever be able to find redeeming qualities in the other’s way of life that they never found in theirs?

Beyond the summer of love through Jim moss is at 3 p.m. on Sunday, September 26. Andrea arrived at her mother’s home to pick up her rebellious daughter, Olivia, who decided to skip her final year of high school and stay in Olympia, Washington.

Cilla, an original flower child from the 1960s, goes well with her granddaughter who sleeps with an older man named Gifford. When Andrea discovers the details, a battle of generations ensues. Andrea tries to blackmail Gifford, and Cilla reveals why she abandoned Andrea to be raised by her own mother.

The cast members of the ensemble who perform these pieces are Avery heck, Catherine remey, Ca’Leo Carty, Hugh kiser, Jackson gray, Josh camden, Josh dennis, Liz miller, Logan castaneda, Mr. J. Aleman, Maddie Lemieux, Rachel harrison, Rose johnson and Sianah Petit.

Each reading will be followed by a debate and a discussion session with the playwright and the actors. Places are extremely limited. Reservations are strongly encouraged. Masks are mandatory. Free entry.

Tickets will be available at the door and reserved tickets must be picked up 30 minutes before the start of the show. The ticket office will be open one hour before the curtain.

For ticketing, reservations and more information, call 386-822-8700.


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The cast of “A Facility for Living” for Olympic Theater Arts, in rehearsal

SEQUIM – Is the third time a charm?

Katie Forgette’s comedy “A Facility for Living” has had a number of starts and stops, but is expected to hit the Olympic theater arts scene in early October.

The play, now performed and in rehearsal, was originally scheduled for the 2018-19 season, but the show lost its director and had to be brought forward a year. This placed the show in the middle of the COVID-19 pandemic – forcing a second cancellation.

Now, “A Facility for Living” seems to start programming for OTA’s 2021-2022 season.

Set in a darker but ridiculous alternate reality, the play sees retired actor Joe Taylor moving into a prison turned into a senior care facility shortly after Medicare went missing.

There, Taylor discovers a community of “lovable and irascible inmates, determined to oppose the dehumanizing system they have landed in,” describe OTA officials.

“It’s a comedy for our time,” said Christy Holy, longtime director of OTA. “He talks about trying to stay human in this world where everything is becoming more and more technical and automated. I love the timing and the characters.

Vicki Miller, who plays nurse Claudia of “hard love,” noted, “We don’t care about our shortcomings and our little human weaknesses.”

Steve Rodeman, chairman of the OTA board and actor, last seen leading Dr Watson’s workshop, plays Wally Carmichael, an “eccentric trash”.

“If you really pay attention to the play and what people are saying, you’ll learn a lot about the human condition, but you’ll do it with a laugh,” Rodeman said.

“I was part of the committee that picked this piece, and I really insisted because it was one of the funniest things I’ve read in a long time,” said Cathy Dodd, who plays Ditsy ‘Mitzi. Kramer.

“But there was also this human element that made it accessible to a lot of people. I think that’s why people will find humor in it – there are things going on that people can relate to. ”

New to OTA is Frank Barevich, who plays Kevin, a settlement assistant whose aspirations exceed his intellect.

“I just like a good, funny story,” Barevich said. “Like all good comedy, it’s really the characters that make it funny.”

Veteran OTA actor Joel Hoffman, best known for his performance as Willy Loman in OTA’s 2019 production of “Death of a Salesman,” and Rebecca Weston, enjoying her second time on stage after 20 years – the first being in the recent New from OTA Vitrine des travaux; Hoffman plays rebellious new resident Joe Taylor, and Weston is chosen as the soft-spoken Judy.

After completing co-organizing fundraising for OTA’s Kings, Queens and Royal Scenes Renaissance Faire, Marissa Meek takes on the role of backstage stage manager.

“I think something beautiful, funny and upsetting about this play is that even though some of these characters haven’t taken care of themselves, they’re willing to go out of their way to take care of each other. others, and that’s something we can all appreciate, ”Meek said.

A Facility for Living will take place from October 1 to 17. The performances will take place at 7:30 p.m. on Fridays and Saturdays and at 2:00 p.m. on Sundays.

A Pay-What-You-Will show to suit all budgets is scheduled for 7:30 p.m. on Thursday, October 14, and the first two Sunday shows offer a ‘Talkback’ session where the audience can stay after the performance and talk with the cast and crew. on production in an open forum setting.

Tickets for this comedy on the main stage are $ 18 for the general public, $ 16 for OTA members and $ 12 for students with a school ID card. Tickets are available at the theater box office from 1 p.m. to 4 p.m., Tuesday to Friday, or online at OlympicTheatreArts.org.

For more information, call the theater at 360-683-7326.



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The Covid Requiem: Can theater play a role in the healing process?

Lesley Orr and Jo Clifford at The Shore in Leith PIC: Andrew O’Brien / JPI Media

Sixteen months ago, when the UK’s first pandemic lockdown was only six weeks old, Pitlochry Festival Theater artistic director Elizabeth Newman gave an interview to The Scotsman about everything she and her colleagues were doing to try and keep the theater alive as a creator and community center, following the sudden shutdown that caused the complete cancellation of what would have been Pitlochry’s 70th annual summer season.

Newman spoke eloquently of the new online work the theater was commissioning and its telephone chat service for regular viewers feeling isolated; and towards the end of our conversation, she added a few words that stood out to me, like a prediction or a promise. “It’s already evident,” she said, “that by the time we reopen again, the world will have changed. This pandemic is the kind of event that remains in people’s collective memory for a very long time, and we will have to recognize it, in different ways. And whatever our audience needs and whatever our artists want to do, my job is to make sure that somehow this theater will be there, trying to make it happen. .

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With these words, Newman may have become the first of Scottish theater leaders to recognize the scale and special quality of the losses people suffered during the pandemic. And now, after a year and four months that in many ways seems like a lifetime, Newman’s promise to respond to that experience is coming true, thanks to two remarkable women. This month playwright and performer Jo Clifford, and theologian and feminist activist Lesley Orr, will join forces to create a special walking performance called The Covid Requiem, in the beautiful forests behind the theater, where the Pitlochry company now has built a beautiful amphitheater space for outdoor performances.

For about an hour, to music from Duncan Chisholm and Innes Watson, Clifford and Orr will lead an audience of 30 through the woods to this space and then back again, stopping at five stations or locations. rest, to reflect on the many experiences and emotions of the past 18 months; and, for those who wish, to speak and remember the names of some of the missing. Both women were drawn to the topic because of their own experiences of recent loss – for Clifford of her brother Tony, who passed away at the end of 2019, and for Orr of her husband Reverend Peter Macdonald, of the Iona community and of Broughton St Mary’s Church. in Edinburgh, who died suddenly in February 2020, just before the pandemic; and both were struck by the need to recognize the deep pain of those who, during the pandemic, were not allowed to be with their dying loved ones and were unable to mark their passing with something like a funeral gathering normal.

“There were hundreds of people at Peter’s funeral,” says Lesley Orr. “We knew the pandemic was coming, and I remember thinking that day how helpful and heartwarming it was to be able to come together in this way, and how soon it might not be possible. “

Clifford had a similar experience writing and delivering the eulogy at his brother’s funeral. “It made me realize the importance of telling someone’s story and witnessing it after their death. So, during the first lockdown in the spring of last year, I felt very deeply for the families who lost people at that time. It seems to me that there is a tremendous amount of grief that is held collectively, without ever having been expressed correctly; and it occurred to me that theater could have a role to play in the beginning of the healing process.

So Clifford approached Newman, who in turn suggested he collaborate with Orr, who, like her late husband – and eldest son, talented young actor Lorn Macdonald – has been a lifelong theater buff. They started their collaboration by walking together in the woods of Pitlochry and deciding that the performance should take the form of a journey; and they also began to explore the various religious and spiritual rituals they had encountered in their parallel but very different lives as radical celebrants, in search of new forms of spiritual life. Clifford, for example, uses the ritual of Holy Communion in his internationally renowned and much discussed program, The Gospel According to Jesus, Queen of Heaven; and as a member of the Iona community, Orr is part of a radical religious movement that is trying to create new forms of ritual for our time.

“We looked at traditional funeral services and Requiem Masses, to prepare for them,” says Orr, “and we recognize the comfort people often find in these traditional words. But our goal is to take people with us and respond to these traditional services and other traditions of mourning, in a way that really holds and carries some of our feelings, right now. “

“There will be a lot of different emotions in our Requiem,” adds Clifford; “Grief and gratitude, as well as an element of anger – protests as well as lamentations. I have always been very aware of the sacred dimension of theater, and now I am more certain than ever that theater has to change, take on this role in people’s lives in order to survive.

“And Lesley, on the other hand, comes from a movement that believes that traditional religious institutions are also failing people and in need of a radical change. So we are in the process of creating something together that we hope will meet some of those needs right now. And of course there is something very special about doing that here in these wonderful forests in September – the time of year that marks the start of another cycle of death, and eventual revival and Renaissance.

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Art alert: play inspired by the life of the late Egyptian musician Mohamed Fawzy staged in Alexandria – Stage & Street – Arts & Culture

A play retracing the life of the famous Egyptian musician and actor Mohamed Fawzy (1918-1966) entitled “The night is gone” was premiered on August 27 on the stage of the Lycée Al-Horreya theater in Alexandria.

The next performances of the piece are scheduled for Thursday 2, Friday 3 and Saturday 4 September 2021, as well as 9 and 10 September.

Directed by Saeed Kabeel, the play guides viewers through the variety of creative fields that have characterized Fawzy’s career; from his original passion for singing and songwriting to his efforts in the film industry as an actor and filmmaker.

Fawzy is considered one of the main artists of the golden age of Egyptian culture (1940s-1960s). Throughout his career as a musician, he has collaborated with renowned names of his time such as Farid El-Atrash, Mohamed Abdel-Mottaleb and Mahmoud El-Sharif.

He wrote over 400 songs, many of which have become hallmarks of Egyptian musical culture. His best known compositions include “Maloh Al-Amar Maloh”, “Habiby Wi Eenaya”, “Wahashona Al-Habayeb” and “Shahat Al-Gharam”.

Fawzi also composed ‘Qassaman’ (‘We Pledge’), which is the national anthem of Algeria, whose lyrics were written by Moufdi Zakaria.

(Photo: courtesy of Saeed Kabeel)

The piece bears the same name as one of Fawzy’s most popular songs, released in 1955.

The play stars Mahmoud El-Zayat, Ahmed Askar, Khaled Nabil, Monica Joseph, Adel Saeed and Arsani Moshreqi.

The play was written by Ahmed Askar, while the team includes Mohamed Shehata in charge of music, set designer Walid Gaber and lighting designer Ibrahim El-Forn.

The play brought together some of the well-known figures of Alexandria’s theatrical scene, such as Ibrahim El-Forn, who is also the artistic director of the Festival Théâtre Sans Fonds (TWFF), which concluded its 11th edition on August 26.

Director Saeed Kabeel headed the theatrical programming unit of the Center for the Arts at the Bibliotheca Alexandrina before moving to Cairo, where he became responsible for programming at the Tahrir Cultural Center, which is part of the American University in Cairo.

Together with Mohamed Abdelrahman El-Shafei, Kabeel is currently the artistic director of the Cairo International Festival for Experimental Theater – which will be held from December 14 to 19, 2021. Kabeel also has extensive experience in directing plays, which were performed mainly on the stages of Alexandria.

Mohamed fawzy

(Photo: courtesy of Saeed Kabeel)

Program:

Thursday, September 2
Friday, September 3
saturday 4 september
Thursday, September 9
Friday, September 10

The play starts at 9 p.m.

Al-Horreya High School Theater
Eskander Al-Akbar Street, Shatby, Alexandria

For more information and updates on arts and culture, follow Ahram Online Arts and Culture on Twitter at @AhramOnlineArts and on Facebook at Ahram Online: Arts and Culture

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New Albany Theater Arts Receives Donation To Support Upcoming Season | New

NEW ALBANY – The theater department at New Albany High School is receiving support from the community as it prepares for its next season of performing.

Local advisor and writer Justin Campbell presented a check for $ 150 to New Albany Theater arts director Amy Miller on Friday in support of the program. The money comes from a recent fundraising effort and her own matching donation.

Campbell worked for six years as a counselor at the NAHS until 2019, but now works in his own mental health practice called MIGHT LLC in New Albany.

He has published two books, including a motivational book titled “The New Complete You: Life Between the Lines” about his faith and college football career and a second book titled “The New Complete You: The Program: Transformation That Leads to a More Productive “. Life ”focused on mental health.

Campbell raised money for the theater department through a book signing at the New Albany Sugar Shoppe, a candy store in downtown New Albany. He donated 20% of his book sales to this fundraiser.

“I knew Amy had only struggled with COVID and anything that was trying to get funds to donate and things like that,” he said. “I love it to death and the program here is awesome. If you’ve been to any of the plays before, it does a great job.

Some students from the drama department also came to the candy store to help with fundraising, Campbell said.

Miller said she appreciates the support of community members like Campbell “who believe in the opportunities we provide for children, whether it’s theater or other extracurricular activities.”

Ministry funding comes from ticket sales and community sponsors, and they are in a “rebuilding process” this fall.

“Every sponsorship and donation we get allows us to do some super special things for our kids, be it production, training, workshops – every little bit counts for us,” she said.

Miller said the theater department suffered a financial blow by not being able to have a full season of shows last year, and she looks forward to presenting great musicals such as “Beauty and the Beast” and “The Music Man “this year.

This fall, the school was selected by Disney Theatricals and Music Theater International to pilot a new version of “Beauty and the Beast” in November. Miller said she hoped the theater students would make it to the International Theater Festival at Indiana University, and that the donation could go toward that trip.

Her goal is to support as many children as possible, Miller said.

“We’re a big, open and inclusive environment here in New Albany in all of our activities, and the little sponsorships, the activities, the support for the shows, it all makes a difference for any child – whether he wants to be. on stage or behind the scenes – involved in our department, ”she said.

Campbell said, “We all have donations, and it’s great to be able to use that donation to give back to the community. “


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“Fair” weekend at the Olympic Arts Theater

Olympic Theater Arts’ Kings, Queens, and Royal Scenes Renaissance Faire will take place from noon to 5 pm on Saturday and Sunday August 21-22. Tickets can be purchased in advance on the OTA website (olympictheatrearts.org) or at the event: adults $ 12, members $ 10, and children $ 5.

Producer / director Richard Stephens said the event would be “everything out there, a real English country party”. Activities and entertainment are offered for a “little money”: participants can use their credit card in conjunction with a numbered locket to make purchases, or they can purchase a bag of coins for $ 5 each, four in. a bag.

On August 9, the organizers including Richard Stephens, director, of the OTA’s “Kings, Queens and Royal Scenes Renaissance Faire” ended a day of preparation at the Olympic Theater Arts in Sequim. They are surrounded by potential costumes that Auxiliary Actors can choose to wear when participating in the OTA Renaissance Faire. Sequim Gazette photo by Emily Matthiessen

Stephens said the cast will perform six scenes from William Shakespeare’s works for court and audiences. All the scenes will feature kings or queens. The scenes were taken from these plays: “A Midsummer Night’s Dream”, “Hamlet”, “King Lear”, “Antony and Cleopatra”, “Henry V” and “A Winter’s Tale”.

The OTA recommends and encourages participants to wear masks.

Visit olympictheatrearts.org.



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Blinn’s Theater Arts Program Announces Performances for the 2021-22 Season | New

The Blinn College Brenham Campus Theater Arts Program will deliver a mix of intense drama, comedy and wonder during its 2021-22 season, which will mark the live audience’s return to Dr. WW O’Donnell Performing. Arts Center.

The lineup includes “One Flew Over the Cuckoo’s Nest”, the Slaphappy improvisation troupe, “Wiley and the Hairy Man”, “Golden Boy” and “The 25th Annual Putnam County Spelling Bee”. “Wiley and the Hairy Man” will be Blinn’s entry into the Kennedy Center American College Theater Festival in 2021, and “Golden Boy” will be his entry into the Texas Community College Speech and Theater Association Play Festival in 2022.

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Report: More than 3 million homes sold in Texas, median price increase of $ 112,000 from 2011 to 2020

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Screening time: a virtual walk in the final “Play” of the KL and ICT theater

VIRTUAL EXHIBITION: THE BLIND AND THE ELEPHANT, IN KUALA LUMPUR

Date and time: In progress

Close your eyes. Imagine you are in downtown Kuala Lumpur. There are different sounds around you. Listen carefully. What do you hear?

Graphic designer / artist Yap Weng Nam’s The blind and the elephant in Kuala Lumpur is an interactive virtual installation that explores the sounds of a place in Kuala Lumpur through two devices simultaneously: the computer and the smartphone / tablet.

This new book reflects on how Kuala Lumpur is a city that is constantly disappearing, renewing and evolving. “Each person who experiences the city carries a unique but limited memory and truth of it. To piece together the larger narrative of the city, we cannot just perceive it alone – we will have to do it collectively,” reads. we in a statement about this project.

To discover the installation, click here.

DIALOGUE WITH MAIZUL EFFENDY

Date and time: July 31, 8:30 p.m.

Multidisciplinary artist Maizul Effendy is in the spotlight for this second episode of PenangPac’s Dialogue series.

Maizul, academician, actor, director, scenographer and stage manager, will share his experiences in the different fields of art in which he has been involved. He will also discuss the challenges of the upcoming pandemic – in Penang and beyond – and how people in the arts can deal with them.

Dialogue With Maizul Effendy will be broadcast on the PenangPac Facebook page.

More info here.

ONLINE THEATER: PLAY! WITH JO KUKATHAS LIVE!

Date and time: August 1 noon (12 p.m.)

In April, Instant Cafe Theater’s Firstworks program launched an online theater series called To play, call on writers, directors, actors, readers and audiences interested in an online scenario study and to analyze the mechanisms of what makes a great play.

In the past 10 weeks, 30 participants from To play have traveled the world with the theater. For the final session, ICT’s Jo Kukathas invites the audience to join them to end their journey and share the highlights of their theatrical journeys.

More info here.

plane

ONLINE EXHIBITION: LIEW KWAI FEI’S ‘IN ORDER (TO PLAY)’

Date and time: until August 8

Liew Kwai Fei’s latest series of paintings explores the play of form and color in painting. In Malaysia, Liew is known as one of the few formalist painters of his generation, and this new solo exhibition at Backroom KL examines the full range of his appreciation of the medium and its expressive potential. The show can be viewed online.

More info here.

roomroom


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OCPA presents three new plays at the Newport Theater Arts Center

The Orange County Playwrights Alliance returns to the stage with a tantalizing mix of comedy and drama.

On July 31 at 8:00 p.m., her Discoveries of New Plays series resumes at the Newport Theater Arts Center, Newport Beach’s cozy and attractive “Theater on the Cliff”. This will be the first reading event hosted by OCPA Discoveries since October 2019, and its first Saturday night event of any kind in 12 years.

The program

The boy wakes the man up in the middle of the night from Eric Eberwein

Directed by Sara Guerrero (Breath of Fire Latina Theater Ensemble)
With Joe Alanes and Erika C. Clark
If love is about to be lost and you wake up in the middle of the night, you just might find your old self.

Under Dana Hammer’s bed

Directed by Sebastian Munoz (Force of Nature Productions)
With Taylar Ann, Charlotte Cocker, Redetha Deason, Kyle Felts and Brian Pope
When a woman’s husband comes home early, she has to hide her boyfriend under the bed. Then things get worse.

Vote for Herbert by Mark Whicker

Directed by Greg Atkins (Professional Conservatory SCR)
With David Carl Golbeck, Gigi Fusco Meese, Bob Noon, Nick Simmer and Bill Vetrovec. At 82 years old.

The Newport Theater Arts Center follows all current COVID-19 precautions and protocols mandated by the CDC, State and City of Newport Beach.

Learn more at www.ocplaywrights.org.


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